Close Lobsters

Close Lobsters 7" anyone? That's handy, because that's exactly what I've got here and we're instantly back in familiar territory with a band that were featured on the legendary C86 tape and were released on the marvellous Fire Records; erstwhile home of Teenage Fanclub, Pulp, Spaceman 3 et al.

So, formed in Scotland by brothers Andy and Bob Burnett (vocals and bass respectively), Tom Donnelly (guitar), Stuart McFadyen (drums) and Graham Wilkington (possibly also bass; two basses! RÖCK!), the band were moderately successful and troubled the indie charts scorers regularly from 1986-1989; they supported such luminaries as the Jesus and Mary Chain (although from a quick look around the internet it seems that pretty much anybody from Scotland who ever picked up a guitar supported JAMC at some point) and latterly had a song covered by The Wedding Present in their 12 singles in a year phase.

Their official site is a Geocities monstrosity, so you'll be lucky to see it (one day I must get around to rescuing all those poor band pages that live on Geocities...) and there's a wiki and myspace page needless to say.

I'll apologise in advance for the terrible quality of this recording, the vinyl was just too battered for even the old tuppence-on-the-arm-trick to work:

("Close Lobsters - Nature Thing", right click, 'Save as...' to download)

Sp!n

Have I done Gene? I can't remember. This isn't about Gene though, this is about Sp!n the band that Martin Rossiter's band mates were in before they were in Gene. And yes, there really was an exlamation mark in the name. No matter what blogger wants me to do with the title, it's Sp!n, not Spin.

So, before Gene came along, Sp!n were doing their thing. Ok, this is where it gets confusing and I've been informed by a world-leading authority on the band that I got it arse-about-face. So:

Consisting of Lee Clark on singing/guitar and initially Daz Walton on bass, the band were formed in that London in 1988. Soon after, John Mason replaced Walton on bass and Matt Wingley (possibly aka Matt James) took over drumming. Subsequently Steve Mason (John's brother) joined to play geetar. Right, now, now that's in order... By 1991 the band had knocked out a few good EPs and an album when a serious motorway accident left John Mason in a coma and their tour manager and sound man seriously injured. Unable to carry on, the band split and the remaining members went off to form Gene with Mr Rossiter and the rest is history. I don't know what happened to Daz Walton mind you.

There's other speculation and rumour on wikipedia as you'd expect and amuch more in depth history here and here

This track is great, it's got that early 90s wicky-wicky-wicky guitar noise that appeared so often throughout 1989 and 1990, probably because the Stone Roses thought it was a good idea:

Sp!n - Scratches (in the Sand); right click, 'save as...' to download

And there you go, oddly placed punctuation marks, only one bloke away from becoming Gene, a lovely bit of indie guitar, what more can you ask for? Wasn't Martin Rossiter famous for something else? I'm sure he was, I just can't drag that bit of information out of the back of my memory at the moment, I'll come back to it.

Ps, there is a Gene 'Best of' that's worth getting as well.

1000 Violins

Are you lot still here then? Apologies for slow/few updates recently, long story; can I make it up to you with 1000 Violins?

We're going back in time again to the heady days of 1986 with this one. Blimey, 1986, the NME's C86 tape was to become the yard stick against indie was measured, Maradonna did for England with the 'hand of God' goal and I was still in short pants (albeit about to get a sexy French lady form teacher at school) and still probably listening to Huey Lewis and the News...

Anyway, 1000 Violins were brought to my attention when I was sorting out The Dylans at the end of last year; I made a little note in my book and then forgot all about it until the other day. Turns out you see, that Colin Gregory the guitarist of this lot went on to form the Dylans where he knocked out cracking indie pop in the early 90s.

This lot however were around from the mid-80s [with a line up of Darren Swindells on bass, Colin Gregory on guitar, John Wood singing, David Warmsley on keyboards and guitar and Peter Day on drums] until about 1989, released a load of good jangly singles and an album, recorded a couple of Peel Sessions and snuck into the indie charts with this track (andmy what a scratchy chap it is!):

1000 Violins - Please Don't Sandblast My House (right click, 'save as...' to download)
After the band split they fantastically became big in Japan - the ultimate indie dream; however, by that time they had unfortunately lost David Warmsley to cancer in 1992. Another of those sad losses that I've stumbled across doing this nonsense.

You can of course have more in the All Music Guide and wikipedia pages should you wish. Apparently the internet is helping the band gain latter day popularity, so it's nice to be able to help them along in some little way. The 'Best of...' is occasionally available on (Amazon) and is definitely worth hunting down if you can.

See See Rider

Bit of an odd one this time; it's See See Rider, a band who really would have disappeared without a trace were it not for some of their members. The first thing that you notice when reading about the band is that they only released two singles and, despite having sort of Nico-(sort of)-out-of-the Velvet-Underground style vocals from singer May Rock Marshall and having early support slots for Lloyd Cole and the Jesus and Mary Chain, they never really broke through into the public or press consciousness, although they were championed early on by Steve Lamacq.

So that would ostensibly be that, the band released the two singles on the same Lazy label as Birdland, had a big falling out on stage and split up.

But. While signing for Lazy, Wayne Morris, manager of the aforementioned moptopknobheads recommended a drummer for them; he turned out to be Phil Tweedie from The Primitives and during the self-inflicted delay between the band's only two single releases (after Marshall - possibly Rock Marshall? - fell off the back of a motorbike), they managed to managed to be joined by Phil King from Felt

Oh, and just to complete the Pet Frame style Rock Family Trees feel of this, the final nail in the band's coffin was King leaving to join Lush. He's in JAMC now as well. He gets about a bit does that boy...

This is the track one from the first EP - "See See Rider - She Sings Alone":

Right click, "save as..." to download
So there you go, read the excellent official site for lots more information. There's also a brief wikipedia page

Spitfire

Back into one-word band names again today with Spitfire. Coming out of the indie wastelands of Crawley, the band were another band formed by two brothers (Jeff and Nick Pritcher) and bulked up to the standard five-piece by Steve White, Scott Kenny and Matt Wise. Membership changes later in the band's life saw white replaced by Simon Walker (who latterly joined The Auteurs) and Kenny leaving the drum stool which was filled by Justin Welch (later a member of Elastica).

Formed in 1990, Spitfire released a good half dozen singles; leaving their shoegazing beginnings behind to go more indie pop/rock, a couple of albums (much delayed debut Fever eventually surfacing in 1993) and recorded a Peel Session in 1991. It's also suggested in a number of places that the band took the rock and roll lifestyle a bit too seriously with reports of less than subtle banging on in the NME and the like and freely handing out backstage passes to groupies; neither being particularly popular traits with their record companies needless to say!

This track "Rubber Rosie" is a bit of an odd one though. It's undeniably Spitfire (it appears on their 'official' site, but it doesn't get a mention in either of the places I usually look for background; discogs and in Martin Strong's Big Boys Book of Indie), so what we're supposed to believe I'm not sure. Maybe it's the rarest thing in the world ever? More likely it's just one of those things. This particular copy comes in a nice cardboard sleeve with Dickie Davies' World of Sport-esque "S" logo.

Right click, 'Save as...' to download
And of course, there's a wikipedia page as well. At some point I'm going to have to go through Wiki and update all these pages that are just bits and pieces memories and speculation. After all, this place must be all true by now...

Scorpio Rising

I've been meaning to do Scorpio Rising for ages, but kept forgetting. Then when I remembered I convinced myself I'd already done them. This is one of the perils of ageing. Still, better late than never.

The Liverpudlian baggy/fraggle funsters were formed in 1989 by Mickey Banks, "Sploote", Martin Atherton, Steve Soar (who left in 1993) and Colin Owens. That's a rock and roll name. Colin. There should be more famous rock star Colins. I can only think of Colin out of the Shamen off the top of my head. This is another peril of ageing.

Sorry. formed in 1989, the band toured extensively with such indie luminaries as Ned's Atomic Dustbin, the Senseless Things and PWEI and I'm pretty sure I saw them support Carter USM in the early 90s, although my first port of call for all things Carter doesn't seem to back that up so it's probably my memory again.

There's not that much on the band kicking about on the internet, which is a shame. The myspace and wikipedia page say pretty much the same thing, although the book I have in my hand seems to suggest that the band's first single is called "Stangest Times EP", but both those pages call it "The Strangest Things Turn You On". The actual bit of vinyl is called the "Stangest EP" and the track is indeed "Strangest Things Turn You On"; the normally pretty infallible Discogs doesn't even list it. Come on internet, buck your ideas up!

Listening to it, it's definitely Scorpio Rising - The Strangest Things Turn You On:

Right click etc etc to download
Whatever it's called, it's a cracking bit of indie which possibly sounds a bit more Madchestery than I remember, but certainly has some lovely swooping guitar and that very recognisable indie drum beat that cropped up a lot in 1991.

Boo Radleys

Bit of an odd one this time, it's the Boo Radleys, but not really what you'd think of first when you heard the name; oh, and I've cheated a bit because this isn't on vinyl, it's on a bloody tape. A cover tape no less.

Cover tapes are an entirely different genre of music blog, so I'm only using it to illustrate a point (and show how much crap I carry around from house to house over the years; there's all kinds of rubbish in a box in the cupboard, if you're particularly unlucky I'll drag them out too).

This particular song is "Blues for George Michael" from the tape stuck to the 12 February 1994 edition of the NME. Here you can insert your reminiscences about how the NME was much better in our day and how we looked forward to cover tapes...

Apparently it's supposed to sound like this as well. Not what you'd expect from the band that brought you the singalong masterpiece of 'Wake Up Boo', or the swirling wonders of 'Lazarus', but there you go. It was the B-side to 'Wake Up Boo' though but the NME it came from was out in the shops a whole year before their massive hit, about the same time as the infinitely preferable Lazarus.

Right click, 'Save As...' to download

The Boo Radleys are one of those bands that hung around for ages before making it big. They were formed in 1988 by baldy singer Simon Rowbottom, his Liverpudlian chum Martin Carr, Tim Brown and Steve Hewitt. They recorded for a few years, recieving lots of indie love, recorded Peel Sessions and were darlings of the music press. Then suddenly in 1995 they exploded into popularity with a massive hit.

Anyway, you know the rest, and if you don't read the official site, the wiki, Martin Carr's page or this handy page from the Archived Music Press blog.

In a nutshell, the music press loved them, they signed to the Creation label, they had their massive hit which has been used time and time again on breakfast TV and radio and goodness knows where else, they hung around until a rather disappointing final album (1998's Kingsize) and split up.

You can buy "The Best of the Boo Radleys" here

Tramway

I think I mentioned before that I had a self-imposed limit for buying this crap off ebay; and this is only the second time I've broken it, the first was The Lillies and this time it's Tramway. So, who were Tramway? Why did I feel the need to spend over a tenner of my hard-earned on a little known 7" from an even littler known band? And why did I get all excited when I heard the recorded loveliness? Well...

As a bit of background, along with shit old C86 bands, one of my great loves is the sport of cycling; which is a good indie past time. Fruitbat out of Carter is a big cycling fan, as is Nigel from Half Man Half Biscuit, so is the oft-mentioned Gideon Coe. Anyway, I happened across mention of a song called "Gianni Bugno Wheels" (Gianni Bugno was a great Italian cyclist in the mid-80s to mid-90s) on my meandering about the internet and as part of my hunt for the mp3 - which turned out to be a rather lovely instrumental number - I discovered the band who'd recorded it were called Tramway, were a bit 1991 and had also recorded a song called Tour Du Pont.

And then my interest was really piqued.

It turns out that the one time and briefly employed drummer in the band was one Jez Butler; which rang a bell but I couldn't place. Until I found his personal web page. Jez Butler had been in a band called "Cake" with not one, but two ex members of The Flatmates! Oh and the band's only two singles were released on - your favourite and mine - Sarah Records. That's got to be an indie full house! And is also why I had to dash over to ebay and waste my money on this.

right click, saves as, to download
The band released two singles, Maritime City (as above) and Sweet Chariot on Sarah and an album called 'A Brand of Lovin' (where Gianni Bugno is name checked) on the Siesta label. On 'Maritime City' the band consisted of Chris Young and Matthew and Nancy Evans, although the band variously employed the talents of the aforementioned Jez Butler and someone known only as A Henderson as well.

Oh and there's what turns out to be a Portuguese site (which I only worked out after some aimless buggering about with Google's translate thingy) which says of Maritime City it sounds a bit like Felt and "it is nothing but excite other that gives the disc a charming nonsense" and furthermore "wronged those bands that appear and vanish without leaving more records" - which I rather like the sound of.

So there you go. I'm no investigative journalist, but if that's not increased the sum of knowledge on the internet, I don't know what has.

Menswear

I wasn't too sure about putting up Menswear (or indeed Menswe@r as they appear to have variously branded themselves) as I've said that Britpop was rubbish on a number of occasions in the past, but then two things changed my mind.

One was the constant references to Wire in write ups about the song below and the other was reading that the band apparently signed a big money deal and appeared in long forgotten music mag "Select" before they'd even put a record out; apparently because they were at the forefront of the mod revival. Well, 1994's mod revival, there's a mod revival every other year pretty much; it's like the NME saying that Ska will be back this year in their "What's Going To Be Cool This Year" articles like they have every year from about 1904.

Sorry, I digress, this is Menswear's second release - Daydreamer, and excitingly it's taken from a 7" in special plastic bag:

Right click, "saves as..." to download
So, formed in London (Camden probably) in 1994 the band signed a major deal after only a few gigs and with hardly any material written. Menswear/Menswe@r were Johnny Dean, Todd Parmenter [who was replaced by Matt Everitt (who now does the music news on BBC 6Music fact fans)], Chris Gentry, Simon White and Stuart Black.

The band were briefly pretty popular in 1994/95/96 and surfed the wave of Britpop that was taking over the country; I'm pretty sure I saw them live somewhere at the end of 1995 but can't for the life of me remember whether this actually happened or it's just something I made up to sound cool. They definitely had a couple of appearances on Top of the Pops and recorded a Peel Session.

Excitingly, when Matt Everitt left at the end of the band's life, he was replaced by "Tud" the band's roadie and Chris Gentry may (or may not) be the boyfriend/husband of Donna Matthews out of Elastica.

There's a full story and some interviews on this page which is definitely worth a read and of course, there's a ubiqitous wikipedia page.

Candyskins

Back to the indie heartland of Oxford today with the Candyskins and, in recognition of my planned trip to see England v Ukraine tonight, how about their 1993 jingly-jangly belter that is "Wembley"? I don't just throw this shit together you know...

So, the featured track reminds me of something that I've featured on here before so much that I had to go through everything I've done to make sure I'd not already done the band. I just can't put my finger on it and having been back through most of the old posts I just can't think what it is. Have a listen and see if you can help me out, it's going to annoy me.

Candyskins - Wembley (right click, "save as" to download)

Basically, the band were formed in 1989 in Oxford by brothers Nick and Mark Cope, Karl Shale (who was replaced by a chap called Brett Gordon on bass-bothering duties towards the end of the band's career) and John Holliday. They released some great early 90s indie before being buggered over by major label Geffen; apparently due to money shenanigans as so often happens, and subsequently didn't quite catch the brit-pop-proper wave, although their 1997 single "Monday Morning" did sneak into the charts. The band split in or about 1997 with their best years sadly behind them and just a posthumous album ("Death of a Minor TV Celeb") left.

I don't want to repeat too much of what's on this rather nice little fan site, so let's have a look at the wiki page instead.

Hang on, "regarded by the music press as one of the founders of Brit Pop"? That one has got to be up there with Moose as the first shoegazers? I had to go back to check my big boys book of indie music (well, Martin Strong's excellent "Great Indie Discography") to see if that could possible be true. As you can imagine, it's sort of true. According to Mr Strong's* hefty tome - Christmas money well spent that was! - they're a "seminal brit pop act"; so close but not quite, I've go fannied around with wikipedia so you'll have to check the history if you don't believe that's what it said...

Well there you go, not quite brit pop stalwarts, not quite proper indie legends, not quite major label players. Shame, the track above is ace. Now, I just need to work out what it sounds like.

* insert "and you'd have to be Mr Strong to lift it etc etc!" style joke here